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    <loc>https://alnik.me/articles/2024/2/8/sate-sounds-at-the-exposure-interview</loc>
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      <image:title>articles - S.Å.T.E. - Sounds at the Exposure Interview - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://alnik.me/articles/2022/11/4/collective-infrastructures-how-to-understand-collectivity</loc>
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      <image:title>articles - Collective Infrastructures: How to Understand Collectivity - Make it stand out</image:title>
      <image:caption>graphic summary of the workshop // Ål Nik</image:caption>
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  <url>
    <loc>https://alnik.me/articles/2023/12/22/the-development-of-egon-schieles-line</loc>
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      <image:title>articles - The Development of Egon Schiele’s Line - Make it stand out</image:title>
      <image:caption>Walburga Neuzil in Black Stockings, 1913. Public domain.</image:caption>
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    <loc>https://alnik.me/articles/2020/6/5/egon-schieles-peculiar-gestures</loc>
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    <lastmod>2024-12-08</lastmod>
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      <image:title>articles - Egon Schiele’s Peculiar Gestures - Make it stand out</image:title>
      <image:caption>Egon Schiele. Portraits of Mime Van Osen. 1910 — photos by Wikiart.org</image:caption>
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    <lastmod>2026-03-30</lastmod>
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      <image:title>sound jams</image:title>
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  <url>
    <loc>https://alnik.me/did-you-know-our-future-is-somewhere-here</loc>
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    <priority>0.75</priority>
    <lastmod>2024-12-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/b6cfe41b-42e1-4b92-a246-5e0bf774a0a9/website-banner.png</image:loc>
      <image:title>Did You Know? - Our Future Is Somewhere Here</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/b6cfe41b-42e1-4b92-a246-5e0bf774a0a9/website-banner.png</image:loc>
      <image:title>Did You Know? - Our Future Is Somewhere Here</image:title>
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  <url>
    <loc>https://alnik.me/publications</loc>
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    <priority>0.75</priority>
    <lastmod>2024-12-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1721941986067-WRV2WA6XZWF4X6O5A7WV/how-to-sound-jam-pub.png</image:loc>
      <image:title>Publications - How To Sound Jam // Deck of Cards (Copy)</image:title>
      <image:caption>How To Sound Jam // Deck of Cards "Music sometimes flows so freely like water that we can barely catch it. Or it erupts like fire in our hearts without warning. It shakes the earth gently as soft, thick vibrations, and moves subtly through the air. In How to Sound Jam, you are invited to explore the elements of music: rhythm, melody, harmony and voice. These four building blocks, examined here through the cards in new and unusual ways, can be combined collaboratively to create musical experiences, while maintaining a cosy and warm environment with friends and strangers." (Introduction by Stephen Kerr, musician and designer based in Rotterdam) // riso print, 2024, Rotterdam // 30 editions // pre-order by sending me an email // documentation on AlWiki</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1688472561184-0Y5F56BYKX10KP1LL49Z/sj-deluxe-edition.jpg</image:loc>
      <image:title>Publications - Sound Jams // Deluxe Edition (Copy)</image:title>
      <image:caption>Sound Jams // Deluxe Edition gathers 5 collectively made sonic publications and their visual elaborations within the walls of a CD case. It aims at inspiring practitioners to play with different methods for including sound in their research and artistic practice. This publication collects the outcomes of facilitated group experiences of sound-making and publishing. // laser &amp; riso print, 2023, Rotterdam Get at the Underbelly online shop here. Available on my shop in September. Pre-order by writing me an email.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1688472809619-VOVAWV2A7MH5KQL28QON/sj-thesis.jpg</image:loc>
      <image:title>Publications - Sound Jams // Methods of Collective Sound-Based Publication-Making for Practitioners from Various Backgrounds (Copy)</image:title>
      <image:caption>Sound Jams // Methods of Collective Sound-Based Publication-Making for Practitioners from Various Backgrounds This publication follows my master’s research on exploring ways to facilitate group sound-making experiences. By sound jam, I understand any facilitated process of sound-making and publishing that includes more than one person. Its core principle is inclusivity: it is open to people with or without musical training and offers a structure in which everyone is invited to find a suitable role and space for experimentation. The process grants the makers the opportunity to create a sound publication as a group. This paper explores five sound jams as applied methods that provide such processes and a safe space for makers to open up to a moment of collective sound-making and sharing. Get at the Underbelly online shop here. Available on my shop in September. Pre-order by writing me an email.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1667774431955-UPUPO2INUTGGH5GOC7VC/fiber-collectives.png</image:loc>
      <image:title>Publications - Collective Infrastructures: How to Understand Collectivity (Copy)</image:title>
      <image:caption>Collective Infrastructures: How to Understand Collectivity From March 10 to 13, FIBER organized a four day meeting place for artists, designers, creative coders, technologists, researchers, energy experts and policy makers who are committed to, or interested in, working towards a fossil-free and fair internet. The aim of the Natural Intelligence Lab was to fuse existing practices, skills and knowledge, and to form new alliances. In order to start addressing these questions, the lab explored four interdependent and sometimes overlapping research areas: Energy Literacy, Everyday Technologies, Collective Infrastructures and Fossil-Free Imaginaries. My visual recording and piece connects to Collective Infrastructures by looking at how to find new modes of collaboration and build bridges between existing practices. Radical changes need a collective spirit. Read it here. // See our collective Dossier: Natural Intelligence</image:caption>
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      <image:title>Publications - [don't put cilantro in my dish, please] zine (Copy)</image:title>
      <image:caption>[don't put cilantro in my dish, please] zine On which side of the #cilantroversy are you? Love it? Hate it? How does it smell or taste to you? Let’s talk about it :D This tiny zine is my publication on the fun conversation about the mixed feelings the green leaves of the herb bring. Apparently, for some people it has disgusting smell and taste, while others simply adore it. Draw in your zine on which side are you. ▶ get the paper zine for 1 EUR on my shop &amp; support my work; or ▶ download it &amp; print it yourself.</image:caption>
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      <image:title>Publications - [accepting rotterdam ] (Copy)</image:title>
      <image:caption>[accepting rotterdam ] zine accepting rotterdam / 20 copies of 1st edition / 2022 / rotterdam, the netherlands / available on the shop &amp; nft</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653673437471-TRIX37D6Y4Q7M40LFO8M/yin-yang-2022.png</image:loc>
      <image:title>Publications - contribution to Yin Yang publication (Copy)</image:title>
      <image:caption>contribution to Yin Yang publication Yin Yang: a collection of thoughts for/how self-publishers (to) balance the struggle of publishing in the climate crisis era, created by artist Floor van Meeuwen / 2022 / rotterdam, the netherlands</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653673299363-98O9JMQAS3S7JA0JJXPO/podslon-alnik.jpg</image:loc>
      <image:title>Publications - mental pain: heads in the cloud / podslon magazine (Copy)</image:title>
      <image:caption>mental pain: heads in the cloud / podslon magazine 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1654124901927-MS25UX27NT13TAT3O7C6/moga-sama_cover.jpg</image:loc>
      <image:title>Publications - I Can On My Own e-book (Copy)</image:title>
      <image:caption>I Can On My Own e-book Illustration and design of a guide with practical methodology for educators with activities and exercises to support women after being liberated from a toxic relationship and domestic abuse. Commissioned by EMPROVE. Available here in Bulgarian. / 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1654125250508-QI9GU4I3YGP85UXS0HAY/sofia-book-cover.jpg</image:loc>
      <image:title>Publications - Sofia's Entrepreneurial Adventures e-book (Copy)</image:title>
      <image:caption>Sofia's Entrepreneurial Adventures e-book Illustration and design of e-book - a guide for young women entrepreneurs with first steps in creating their own business. Funded by the Bulgarian Fund for Women / 2021</image:caption>
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      <image:title>Publications - to be where... (Copy)</image:title>
      <image:caption>to be where... draft magazine / 2020</image:caption>
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  </url>
  <url>
    <loc>https://alnik.me/sound</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1722982364358-FF4J7JT2ZIC850KOQM8F/EP_cover.png</image:loc>
      <image:title>sounds - Trains Always Bring You To The Future (Copy)</image:title>
      <image:caption>Trains Always Bring You To The Future "Trains Always Bring You To The Future" (listen &amp; support here) is an ambient, meditative sonic journey that will take you on a train trip within your inner thoughts. It was created during my Extratonal Residency #01 part of Platform for Extratonality, hosted at Varia (Rotterdam, the Netherlands). Here I reflected on the inner thoughts that emerge while travelling alone on the train and expressed my reflections through sound. I explored relations between time, movement, train travel, inner thoughts, memories, anticipations and ways of experiencing the journey. Each sonic piece comes with a short poem. You can discover it at every piece - as lyrics and on the visual. I would like to express my gratitude to Mitsitron who was a care-taker of my residency; and to Extratonality and Varia who welcomed me in their space. &lt;3</image:caption>
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      <image:title>sounds - s.å.t.e. - sounds at the exposure // exhibition (Copy)</image:title>
      <image:caption>s.å.t.e. - sounds at the exposure // exhibition ▶ 2-11 until 2-12-2023 @ SIGN project space, Groningen ▶ opening 2-11-2023, 4pm CET ▶ with artists Sara Elzinga, Ål Nik, Thordur Hans Baldursson, and Enrica Arbia The show presents works that are on the border between visual art, sound, music and performances; an ambiguous perspective; an interdisciplinary view through interactive and interdisciplinary installations, or working methods, alternated with workshops, performances, and public moments. With this project, SIGN also participates in the Soundsofmusic festival, the top festival for experimental music and sound. ▶ ▶ documentation about my work on the installation</image:caption>
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      <image:title>sounds - [Making Things Bubblic] // Grad Radio Shows (Copy)</image:title>
      <image:caption>[Making Things Bubblic] // Grad Radio Shows Across two evenings XPUB shared their work and research through interviews. Interviews here were interpreted in different ways by each student - they structured dialogues, discussions and bubbles of thought, mixed with infomercials and sonic material that shares more of our practices. The radio shows were a teaser to invite the listeners to our graduation show. They were hosted by Ål Nik [Alexandra Nikolova] and Gersande Schellinx and aired on Radio WORM on June 23rd and 27th.</image:caption>
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      <image:title>sounds - [sound jams: impro at WORM, Rotterdam] (Copy)</image:title>
      <image:caption>[sound jams: impro at WORM, Rotterdam] This Sunday the research of Supisara Burapachaisri, Ål Nik and mitsitron will meet at a Sound Jam at WORM. We are happy to invite you to join us at #Wunderbar or online at Radio WORM - we will be part of Expanded Radio’s session with spotlight is on RE#SISTER, WORM’s very own studio community run by and for female and non-binary musicians! Our performance will be an improvisation based on a visual score we’ve been working on during the last week. The three of us were experimenting by asking ourselves questions, connected to our current researches, part of our master programme of Experimental Publishing at the Piet Zwart Institute. We created and collected images that resonate with our research queries and turned them into cards. Those cards will serve as a visual score of our performance. We have been questioning “performing” as a concept, oftentimes associated with perfection, pressure and preparedness. What if we focus on the process instead? Is there a way to embrace slowness, latency and even failure? To put our attention on the small scale instruments and sounds, play with the basics. To be fully present in the current moment and space. Our sound jam will explore these questions. Where: Radio WORM &amp; Wunderbar When: doors 14:30, start 15:00 h // 12-02-2023 More info: https://worm.org/production/expanded-radio-16-resister/</image:caption>
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      <image:title>sounds - Transverse Atlantis: a sound jam with bachelor students at Willem de Kooning Academy (Copy)</image:title>
      <image:caption>Transverse Atlantis: a sound jam with bachelor students at Willem de Kooning Academy In January 2023, Naomi Jansen and I organised and facilitated a 2-week workshop for 18 students from the Willem de Kooning Academy [Rotterdam, NL]. With this class, we wanted to create space for students to experiment with sound for their research and artistic practice. They made Transverse Atlantis: taking on the challenge of creating a publication using sound as a primary medium, they set out to create an installation – an immersive experience of being in different layers of the ocean, hearing creatures and the ocean itself speak as it gets shallower or deeper. You can listen to it here.</image:caption>
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      <image:title>sounds - Music Moves You[th] Act II // the sound publication (Copy)</image:title>
      <image:caption>Music Moves You[th] Act II // the sound publication A collective piece that allows us to dive deep into our inner voices, to connect with playful exploration. Bringing in the sense of community, we will touch intimate sharing spaces, sound journeys and inner revolutions. The post-production and experimentation of impro, the unknown and the confusion, even the escape from capitalism and moon cycles, welcome all. Listen here. Makers // Sara, Stefania, Mr Onion, Ål Nik, Nele, Lidia, Mitza, Stefania, Lolo the Great, Mixutopa, Chiara, Joppe, Jette, Jenni, Sonora Wild and Igni, Lily Fox Editor // Ål Nik</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1661256472150-F2K0X3OGOPEGZ302OYDQ/unpublic-paris.jpg</image:loc>
      <image:title>sounds - X-unPub: a merge between [unPublic] and [XPUB] // Paris (Copy)</image:title>
      <image:caption>X-unPub: a merge between [unPublic] and [XPUB] // Paris Organised by artist and scholar Harold Schellinx, X-unPub was a live improvised concert that took place at La Générale, Paris on 22. June 2022. In this collective performance, I used two instruments: my voice and a dj mixer. Listen to it here and find out more about the concept here.</image:caption>
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      <image:title>sounds - [autobahn] (Copy)</image:title>
      <image:caption>[autobahn] This track is an experiment in another direction, playing a bit more with drums and rhythm. I could say this one goes a bit EDM, but with my traditional indietronic vibe. Or not, I don’t know. Enjoy :-) LISTEN ON SOUNDCLOUD | BANDCAMP June, 2018.</image:caption>
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      <image:title>sounds - [A Heartbreak] (Copy)</image:title>
      <image:caption>[A Heartbreak] This is my second composition since I started taking music production lessons at Sound Ninja Academy. It's my version of Angus &amp; Julia Stone's masterpiece"A Heartbreak". LISTEN ON SOUNDCLOUD | BANDCAMP</image:caption>
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      <image:title>sounds - [Indulge] (Copy)</image:title>
      <image:caption>[Indulge] My first try after me-getting-to-know a bit of music production. An amateur work I will always love. LISTEN ON SOUNDCLOUD | YOUTUBE | BANDCAMP</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1522102614293-NK1I6M0OSJ7ZPPQA5882/lis-jan-18.jpg</image:loc>
      <image:title>sounds - Lazy Indie Sundays (Copy)</image:title>
      <image:caption>Lazy Indie Sundays Since 2012 I collect indie music and back in 2013 I started making monthly sets for perfect lazy afternoons with a drink at home or at the office. Music for the soul. ;-) LISTEN SETS ON MIXCLOUD</image:caption>
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  <url>
    <loc>https://alnik.me/visualss</loc>
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    <priority>0.75</priority>
    <lastmod>2025-11-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1719236588655-155SW2ZWR9MO4LS9O24H/where+i+am+not_web.png</image:loc>
      <image:title>Illustrations - where i am [not] (Copy)</image:title>
      <image:caption>where i am [not] For my trip from the Netherlands to Cyprus, I took a Transavia direct flight. We flew above Sofia, just passed by my home city. I was looking at it for some minutes and was thinking of all of my family and friends who are there right at that moment. But I couldn't see them, I couldn't see anything that was happening there. Was anything happening there at all if I am not there to see it? Of course. I imagined my places around Europe as timelines of events, lives, things that were happening all the time. But for me, things only happen, they only have colour while I am there. All the other time is passive for me, invisible, grey. I felt the need to illustrate that. This is how this "map" was born. Map of missed and caught timelines, moments and colours. // digital artwork // 4000x4000px // June, 2024, Lefkosia [CY] // collect on my webshop // part of "mapping sensations" series</image:caption>
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      <image:title>Illustrations - [memory map FA-09] // animated digital work (Copy)</image:title>
      <image:caption>[memory map FA-09] // animated digital work How our memory of places looks like over time. // animated digital artwork // 2024 // available on my webshop</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1708964663743-WLYTQN195VQVN6GUAOHL/mapping-spasms.jpg</image:loc>
      <image:title>Illustrations</image:title>
      <image:caption>Between November 2023 and January 2024, I had a series of spasms in the area of the heart/stomach which happened usually while I was walking on the street. Those deeply disturbing symptoms were so regular, that did not allow me to walk much, not to mention do any kind of sports. After visiting several doctors, doing many medical checks, no doctor could have found the reason for those spasms. Thus, I had to deal with them on my own and find my own way to heal. After experimenting and self-researching, I figured it was something connected to my gullet and stomach, hence my GERD illness (gastroesophageal reflux disease). Reflecting on that experience, frustrated for not being able to understand what exactly caused them and why they stopped, I see them now as glitches. I was trying out different ways to visualise them, to explain them - to myself, to the doctors. But no illustration felt right until I saw them as bugs, as errors, as malfunctions, as tired code, as glitches, when the body’s system is blocked somewhere and the balance is disturbed. // digital art // feb 2024 // write to me if interested in getting a print // buy digital artwork here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1707247922510-I524UX7I3B08RIF66J4Q/this-is-not-a-border-web.jpg</image:loc>
      <image:title>Illustrations - [this is not a border] (Copy)</image:title>
      <image:caption>[this is not a border] Nicosia (Lefkosia) is divided by the ‘green line’ forming two opposite sides: the Greek-majority Republic of Cyprus (RoC) and the Turkish Republic of Northern Cyprus (TRNC) - a proto-state recognised only by Turkey. This line divides the city in two and if you want to go on the other side you need to pass by one of the checkpoints. When you enter the Turkish part (as people call it in short in their informal speech), your phone connects to a Turkish mobile operator. And the roaming says you are in Turkey. // digital illustration, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1707247507979-Q1GRZLI3Y6CDT2W5UEMR/cars-vs-cars-in-cyprus-web.jpg</image:loc>
      <image:title>Illustrations - [cars in Cyprus] (Copy)</image:title>
      <image:caption>[cars in Cyprus] cars vs. cars in Cyprus // digital illustration, 2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1690658152476-I40L6XVRMMKU17IXQR0P/leka-telesna-povreda_alnik_2023.jpg</image:loc>
      <image:title>Illustrations - [лека телесна повреда] // [minor injury] (Copy)</image:title>
      <image:caption>[лека телесна повреда] // [minor injury] A man assaulted a 18-year-old Bulgarian girl: he had her arms, legs and chest cut with paper cutter, her nose broken, and all her hair cut with a clipper. The doctors made 400 stitches. The judge set the man free because what he did was ruled as a “minor injury”. Here you see 400 stitches - is this a “minor injury”? If the law says so, the law must be changed. The thought of this gets my blood boil. The way we react to something like this shows us in what kind of society we are living. The way the institutions that are responsible to find ways to prevent such acts to happen in the future react shows us what kind of future awaits us. Until we change something. // digital illustration // rotterdam, 2023 // license: CC4.0 - use it as you wish by giving appropriate credit // remember to be mindful to her trauma and shock when talking about this subject and sharing content // download from here [square] &amp; here [full frame] &amp; read more about it here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1682291653885-SN5ULN7Q2IE02DM6WPZV/poster-A-toronto_A3_web.jpg</image:loc>
      <image:title>Illustrations - [once you cross the ocean] (Copy)</image:title>
      <image:caption>[once you cross the ocean] Once You Cross the Ocean is a groundbreaking documentary solo performance created by Bulgarian theater-maker Martina Novakova. It investigates how we recreate our culture and ourselves in a foreign sociocultural context and what image we would like for Bulgaria to have abroad. Through the use of verbatim theater techniques, the exact recreation of words and gestures, Novakova brings to life the stories of six well-known Bulgarian artists living in New York creating a universal narrative that anyone who has left their homeland can relate to. The illustration and poster of the performance depict the journey from the two worlds on the two sides of the ocean. The faces are pieces of land that mirror each other, but the vision is always distorted from the various points of view. On which side of the map are you? // digital illustration // 2023 // all rights reserved [commissioned work]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1679173674573-BRQOMSFYDYEMZYFE9Y5B/artschool.jpg</image:loc>
      <image:title>Illustrations - [art school] (Copy)</image:title>
      <image:caption>[art school] This illustration was firstly doodled on a piece of paper during a class I had at the Piet Zwart Institute in 2021. On the other side of the academy, there is an older building and from my window I could see one of the studios there. Inside there was an eisel, but somehow I didn’t want to draw it even though it was an important element. I wanted to depict the endless rain that pouring and how everything else becomes invisible behind its glass wall. That is why I wrote. I kept that piece of paper and made a digital illustration of it in march 2023. // digital illustration // 2021-2023 // rotterdam</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1675541853600-BGCRLB1HFMGS48KRRAQ6/you-cannot-have-it-all-in-one-day.jpg</image:loc>
      <image:title>Illustrations - [you cannot have it all in one day] (Copy)</image:title>
      <image:caption>[you cannot have it all in one day] this illustration is a result of some reflections triggered by the movie The Map of Tiny Perfect Things [2021]. While the main characters were looking for all of the perfect things happening in a day they live over and over again, i was thinking of how difficult it is to be present in the moment while so many things are happening at the same time. Oftentimes, it is simply impossible to have at all within this short time frame - a day, a year, a life. / digital illustration / 2023</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1661089593951-0KQB8ZII4S5UI8A2P9XY/precarity_2.jpg</image:loc>
      <image:title>Illustrations - [precarity II: make the ends meet] (Copy)</image:title>
      <image:caption>[precarity II: make the ends meet] illustration, part of series of 2 pieces on the precarious life of an artist. Living in a constant insecurity became an essential part of our lives slowly and unnoticeably. It is becoming impossible to plan your income ahead and since recently - even your expenses. Do we even manage to make the ends meet or we’re always in debt to someone? / digital illustration / 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1661969699374-LJYOXDAWKC0QR6UOKQU2/01-arrival-glitch.jpg</image:loc>
      <image:title>Illustrations - [accepting rotterdam: 01_ arrival]  (Copy)</image:title>
      <image:caption>[accepting rotterdam: 01_ arrival] [01_ arrival] is the first of 10 illustration, created as a diary of ten phases i experienced when moving to a new city. The works were digitally drawn, then computer processed with various effects. Their animated versions are available on NFT and the works are published alongside short poems here. [01_ arrival] is also available on riso print and postcards.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1676923718376-UM757JB3P9C7Q92YV8JB/IMG_1149.GIF</image:loc>
      <image:title>Illustrations - [safe space] 1 (Copy)</image:title>
      <image:caption>[safe space] 1 What is a “safe space”? There are at least a few points of view to look at it - physical, metaphorical… But what if we look at it as a collective contract of ways to connect with each other, to listen and respond? Mary Ann Hunter finds it interesting when seen as “rules of engagement that scaffold the creation of new work and, somewhat paradoxically, invite a greater degree of aesthetic risk.” What makes it safe in such case then? Maybe it is the trust in the others, the connection and the lack of fear of being judged and mocked. digital illustration, animated // 2023 // rotterdam</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653670257973-72CIYRGCJ2TLPWC450F4/longing-web.jpg</image:loc>
      <image:title>Illustrations - longing (Copy)</image:title>
      <image:caption>longing digital illustration of missing someone you love / 2022 / rotterdam, the netherlands // available on riso print here</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653671530025-DRH8SXHYDPX7BQULYEIW/techenie-web.jpg</image:loc>
      <image:title>Illustrations - lost in translation: течение (Copy)</image:title>
      <image:caption>lost in translation: течение draught [in bulgarian течение] is a word used to describe the cool air in a room or other confined space when two windows or doors are open at the same time. According to elderly people in bulgaria, it will cause you a chill and you should close the cool air source or put a blanket ;-) / 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653672242712-B2PVMAZ7DTJKBKIWGB1I/alnik_it-all-started.jpg</image:loc>
      <image:title>Illustrations - [it all started] (Copy)</image:title>
      <image:caption>[it all started] illustration of a short story by Kristiāna N. at a RE:Writing workshop at WdKA / 2021 / rotterdam, the netherlands</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653672129366-1V6X8GGENWD9JQHQXO4A/thousands-foot-journey.jpg</image:loc>
      <image:title>Illustrations - the thousand-foot journey (Copy)</image:title>
      <image:caption>the thousand-foot journey in 2021 I travelled more than 5500 km around Europe. I got to test how is it to pass so many borders after a year of travel difficulties, restrictions and worry. What a journey! It was full of emotions - anxiety, excitement, fear, happiness… Each stop was filled with those and therefore, I coloured them. To see them. My journey is depicted as tree branches, growing to the final destination of my trip - Rotterdam. Or it is a spilled ink on the map… Or something else that you see? 2021 / europe</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653672668767-5VA6R130K69J6J54N76L/dont-look-at-me-web.jpg</image:loc>
      <image:title>Illustrations - [don’t look at me like that] (Copy)</image:title>
      <image:caption>[don’t look at me like that] Illustration of Parwana Amiri’s poem don’t look at me like that / Published by the Brush&amp;Bow / 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653671987933-JPR158ENC194ATRPRD11/alnik-keep-trees-safe.gif</image:loc>
      <image:title>Illustrations - [keep our trees safe] (Copy)</image:title>
      <image:caption>[keep our trees safe] 'keep our trees safe' was my submission for the creative challenge organised by TED &amp; Fine Acts artists for countdown. / not selected / 2021 / budapest, hungary / available on nft</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653672413963-SMO531CLAXI57IQQDY8F/mental-pain-oblaci-v-glavata.jpg</image:loc>
      <image:title>Illustrations - [mental pain: clouds in the head] (Copy)</image:title>
      <image:caption>[mental pain: clouds in the head] first piece of a triptych about how i went through a burnout in april-may 2021 / the piece was published by podslon magazine in 2021 / sofia, bulgaria</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653672633328-6F8OWI964SKEG11S420E/parwana-1-s.jpg</image:loc>
      <image:title>Illustrations - [how hard] (Copy)</image:title>
      <image:caption>[how hard] illustration of Parwana Amiri’s poem how hard, published on Brush &amp; Bow here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653679579063-L5XHVP8PV5VHSHBBC2SH/arrival-winnie.png</image:loc>
      <image:title>Illustrations - [arrival in lebanon] (Copy)</image:title>
      <image:caption>[arrival in lebanon] illustration for Winnie Linet article My name is Winnie, I survived Lebanon’s kafala system, published on Open Democracy / 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653680020318-3SRH3FMFJN3ECG8D42JS/bedroom_in_brussels.jpg</image:loc>
      <image:title>Illustrations - [bedroom in brussels] (Copy)</image:title>
      <image:caption>[bedroom in brussels] part of the lockdown series / 2020 / brussels, belgium</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653680181864-8DNAG3SYJJ4483RLPABQ/alnik_crownshyness_web.jpg</image:loc>
      <image:title>Illustrations - [crown shyness I] (Copy)</image:title>
      <image:caption>[crown shyness I] part of series of 3 pieces / participated in exhibition in the halley gallery [london, uk] in september-october 2021 / 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://alnik.me/graphic-recording</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/8906ba85-0515-4f4f-83eb-33746e2e0b28/day2_session2_q%26a.PNG</image:loc>
      <image:title>Graphic recording</image:title>
      <image:caption>A colorful graphic recording with black, yellow, and red accents, featuring handwritten text and illustrations. It promotes a conference titled 'URBEXPLORERS: The city as a learning space,' held on September 29, 2023. The graphic covers topics such as urban education, citizen participation, media education, youth work, urban planning, intercultural communication, and youth empowerment. Various icons of tools, people, and symbols are scattered throughout, emphasizing ideas like openness, reflection, knowledge, and involvement of young people in urban planning.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1694773017061-LQ8M3U57MH4WN7DG48GW/emprove-2022-web-1080px.jpg</image:loc>
      <image:title>Graphic recording - Visual summary of EMPROVE's annual report 2022 (Copy)</image:title>
      <image:caption>Visual summary of EMPROVE's annual report 2022 “Every year, our view on the subject of violence is transformed. Every new case we work on and every response from the campaigns we deliver is a light on a new path we take to sustainably change public attitudes. We look for loopholes everywhere, and this is no accident. We strive to expand and close the full circle on the prevention-support diameter. The topic concerns absolutely every person in society, there are many paths, the work is constant, the communication is delicate. 2022 was a key year for Emprove in this direction – with new insights and strong results.” - Emprove Foundation // digital visual translation // 2023 // see full report here [in Bulgarian]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1668953701919-RBG7OPD04FMKAK2IED7W/alnik_collectives_S.jpg</image:loc>
      <image:title>Graphic recording - Collective Infrastructures: How to Understand Collectivity (Copy)</image:title>
      <image:caption>Collective Infrastructures: How to Understand Collectivity It's been a few months since I took part in the FIBER Natural Intelligence lab in Amsterdam. It was a blast: memorable conversations, many moments of awakening, absolutely one of those experiences that have impact on the way you think, work and are. During the lab I did several visual recordings, but decided to publish this one: "Collective Infrastructures: How to Understand Collectivity" is my take from Varia's workshop. Read the whole piece here. You can see the whole Dossier with articles here.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653670563533-JAH5MEU1V93ZC9C4WYCT/catro-2022-web.jpg</image:loc>
      <image:title>Graphic recording - team building visual summary (Copy)</image:title>
      <image:caption>team building visual summary client Catro / 2022 / sofia, bulgaria</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1661951639963-GAP7DAH4P23ELYV78R4L/mmy-programme.jpg</image:loc>
      <image:title>Graphic recording - programme  (Copy)</image:title>
      <image:caption>programme Visual scribing of a programme outline for the 2-week workshop I am co-facilitating with Nomadways team Music Moves You[th].</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653670920811-14VVQW55NB2TJCCGC523/fiber-lab_01-opening.jpg</image:loc>
      <image:title>Graphic recording - opening session at fiber lab: natural intelligence (Copy)</image:title>
      <image:caption>opening session at fiber lab: natural intelligence event fiber lab: natural intelligence / 2022 / amsterdam, the netherlands</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1653671145595-E3DWWIODZW1Q4CUP6FFQ/IF-2021-web.jpg</image:loc>
      <image:title>Graphic recording - ideas factory 2021 visual report (Copy)</image:title>
      <image:caption>ideas factory 2021 visual report client Ideas Factory / 2022 / sofia, bulgaria</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1645657284871-Q1YF7WGV5XVS4OER2PG0/talk-chess-visual-recording.jpg</image:loc>
      <image:title>Graphic recording - visual Recording of a public lecture by dr. Shira Chess (Copy)</image:title>
      <image:caption>visual Recording of a public lecture by dr. Shira Chess Dr. Chess’ lecture for the Experimental Publishing master students at Piet Zwart Institute, Rotterdam / 2022</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1610549360861-8TMH1ITLZNEWJJSNGFJ0/ideas-factory-infographic-web.png</image:loc>
      <image:title>Graphic recording - visual report for Ideas Factory 2020 (Copy)</image:title>
      <image:caption>visual report for Ideas Factory 2020 The visual summary here depicts the initiatives and results of Ideas Factory’s work in 2020 / 2020 / sofia, bulgaria</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1634477126272-1K9NU40VFXAI1LQHQVNZ/beekeeper-visit-alnik.PNG</image:loc>
      <image:title>Graphic recording - visual summary of a meeting (Copy)</image:title>
      <image:caption>visual summary of a meeting In Summer 2021 I was co-facilitating a community engagement with art workshop in Schiavi di Abruzzo, Italy. During the project we have visited a local beekeeping company and I have created this visual recording from the meet-up / 2021 / schiavi di abruzzo, italy</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1654124718732-G402L7G3WTLP2WD5K0XM/empower-tour-EN.jpg</image:loc>
      <image:title>Graphic recording - EMPROVE's #EarlyBird visualisation (Copy)</image:title>
      <image:caption>EMPROVE's #EarlyBird visualisation Another visual for EMPROVE’s campaign #EarlyBird / 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1540222283848-GUR9UZCT9DSK9OKZ4NL7/RT_empower_summary.jpg</image:loc>
      <image:title>Graphic recording - graphic summary of emprove's event (Copy)</image:title>
      <image:caption>graphic summary of emprove's event This is a graphic summary (in Bulgarian) of Emprove’s round table in Sofia to support women who are victims of domestic violence. During the meeting there were representatives of the European commission, businesses in Bulgaria, the Ministry of Interior, human resources and more - to discuss how to raise awareness of the problem and what needs to be done. / 2018 / sofia, bulgaria</image:caption>
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    </image:image>
  </url>
  <url>
    <loc>https://alnik.me/illustrations</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59a2f6b8f5e231745bbce642/1622666916026-KERO84T6HGYMNYZVR6Z5/alnik_webart-mental-pain.png</image:loc>
      <image:title>Various illustrations - Mental Pain: series of a mental health journey (Copy)</image:title>
      <image:caption>Mental Pain: series of a mental health journey This series of illustrations was created whilst I was experiencing my first really hard burnout. When I drew the first piece (Clouds in the head), I didn’t imagine I would do the next two. I was having a difficult time and felt anxiety at that time and wanted to depict the feeling. Whilst digging into my condition, I realised that the cough I was having during the last 2 years might be caused by my anxieties. This is what the second illustration shows - it also depicts the second phase in my condition - the feeling of heaviness in the chest and coughing. Finally, I hit the bottom with strong pain in the chest that made breathing difficultly. This tightening was torturing me for a week, making me unable to do anything normally - every movement of the body was making the pain stronger and more difficult to breathe. That was a scary warning that I should take better care of myself. Illustrations (from left to right): 1 x “clouds in the head” 2 x “cough” 3 x “no air” May 2021. personal work Available for print (write to me if you wish to buy)</image:caption>
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      <image:title>Various illustrations - Illustrations for DRAFT magazine (Copy)</image:title>
      <image:caption>Illustrations for DRAFT magazine DRAFT, edition II, year II. Topic: “To be there, where…” Concept: the ones who are in the city is dreaming of mountains and air; the ones who are in the countryside dreaming of being in the city… 2020.</image:caption>
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      <image:title>Various illustrations - Family Portrait (Copy)</image:title>
      <image:caption>Family Portrait “The Wachitz Constellation” is a family portrait, commissioned by Lisa Reimitz-Wachberger. Her family is depicted in a decorative, dreamy, linear style, following the concept of representing each person as a star in their constellation. 2019, commissioned work.</image:caption>
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      <image:title>Various illustrations - She. Will Live. (Copy)</image:title>
      <image:caption>She. Will Live. A quite emotional idea for a piece that I was planning to do for some time. It represents a feeling of a devasted woman who is at the rock bottom after surviving an assault. From this moment she needs to find the strength to stand up and go on. I wanted to show her in a very painful posture, with face hidden from the world, as it is how a woman would feel like in her place. - 2020. Personal work. Digital art (available on vector for big print) Ping me here if you wish to purchase.</image:caption>
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      <image:title>Various illustrations - Mural of Che Guevara (Copy)</image:title>
      <image:caption>Mural of Che Guevara Mural by bar Che, Sunny Beach (Bulgaria). Based on the famous photography by René Burri, 1963. 2019, commissioned work.</image:caption>
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      <image:title>Various illustrations - UX Portraits (Copy)</image:title>
      <image:caption>UX Portraits I had the pleasure to support my dear Caroline Pimenta’s process of building her UX designer portfolio. The task was to create 3 portraits that refer to the 3 steps of the UX design process: sketch, prototype, polished design. commissioned work Lisbon, Portugal may 2020.</image:caption>
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      <image:title>Various illustrations - Illustrations for e-book "21 Crowdfunding Stories" (Copy)</image:title>
      <image:caption>Illustrations for e-book "21 Crowdfunding Stories" Illustrations of the e-book “21 Crowdfunding Stories”. The challenge was about creating unique characters for the book and to illustrate each step on the journey of planning and implementing your crowdfunding campaign. project: “21 Crowdfunding Stories” by Lisa Reimitz-Wachberger (Raumpioniere, Austria) and Anne Merlin (Nomadways, France). Download it here. 2020, commissioned work.</image:caption>
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      <image:title>Various illustrations - Drawantine  (Copy)</image:title>
      <image:caption>Drawantine A few illustrations during my quarantine in Brussels because of COVID-19. Difficult times for all of us, in different ways. Some are on the front line fighting for other people’s lives. Some are out there to deliver much-needed supplies or to collect the never-ending garbage. Others need to stay at home in order to protect the vulnerable and deal with isolation. I got flu a week before the whole lockdown. I am one week more in isolation and locked in a foreign city, in a country I don’t know, with official language I can’t speak, with my friends and family far away, thankfully together and alone with my loved one. I would love to draw more but I am also demotivated, totally feeling like living in limbo. Here are a few illustrations since the beginning of my quarantine. Hopefully, more will come, more positive ones, too. ;) Ping me here if you are interested in purchasing some prints or web images of those. Artworks ✪ “Things we used to love doing: Draught and safe” - The psychological aftermath of coronavirus crisis is unpredictable. I often see people asking “When the quarantine is over, what would you first do?” and the answer is something like “I will go to my favourite restaurant… or bar… or cafe; or I will hug this or that person”. Then, I think for myself. Pfff, I miss cafes, restaurants, bars and people, of course. But then… wow, as soon as the quarantine is over, I think it will be too soon. I will just wait a bit and see. If I can really go to that bar, cafe, restaurant… and feel safe. Kind of. If the numbers will go down and the curve will slide to the ground. I will feel weird, insecure, slow to go back to enjoy such a pint of draught beer. That I love so much! ✪ “Social distance? Let’s fix the terminology” - I really believe we need to call it physical distance because social connection right now is vital ✪ “Corona” - impersonating the virus (this was my first visual reaction to the lockdown) ✪ “OK” - stay at home. ✪ “Limbo” - living in a limbo: limbo - noun (UNCERTAINTY) [ U ] an uncertain situation that you cannot control and in which there is no progress or improvement. - Cambridge dictionary ✪ “Why wearing a mask is a norm now” - Especially after medical professionals confirm it is not needed when you are healthy. Because there are so many people infected and without symptoms that you might think you don’t have it, but you do. Protect the vulnerable! #StayHome or wear mask and gloves to keep yourself and others safe. Stay safe, everyone! Look for more real-time illustrations on my Instagram here: @everhooder. March-April 2020. Personal work.</image:caption>
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      <image:title>Various illustrations - Bxl Life: Living Room (Copy)</image:title>
      <image:caption>Bxl Life: Living Room The quarantine and self-isolation COVID-19 crisis found me in Brussels. I arrived in mid-February, got flu and once I felt better the lockdown started. As a result, I found myself isolated in a quickly rented flat on the ground floor, without much natural light, with only one window to open and tones of hopes and expectations being crushed. The series of my grey depictions of my living space include these 3 details of my living room. digital art (pixel) Brussels, Belgium may 2020.</image:caption>
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      <image:title>Various illustrations - 'Don't take a picture of me, please' (Copy)</image:title>
      <image:caption>'Don't take a picture of me, please' Whilst exploring some new brushes on Procreate, I did this quick series of 3 illustrations, reflecting on the moments when people take pictures of us, post them, tag us when we don’t really feel like. April, 2020. Personal work.</image:caption>
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      <image:title>Various illustrations - Bxl Life: Bedroom (Copy)</image:title>
      <image:caption>Bxl Life: Bedroom The quarantine and self-isolation COVID-19 crisis found me in Brussels. I arrived in mid-February, got flu and once I felt better the lockdown started. As a result, I found myself isolated in a quickly rented flat on the ground floor, without much natural light, with only one window to open and tones of hopes and expectations being crushed. The series of my grey depictions of my living space include these 3 details of my bedroom. digital art (pixel) may 2020.</image:caption>
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      <image:title>Various illustrations - S/Heroes (Copy)</image:title>
      <image:caption>S/Heroes I don’t tend to draw movie characters or to do fan art. But sometimes I feel quite distressed by a moment of a show I am watching, or I get really emotional over a character… And in those moments I would like to put that energy into a drawing. These are two such cases: ✦ “The Look” (on the right) a portrait of “Game of Thrones” Dany. I was really distressed by her look at that moment just before burning the whole capital. I really felt quite strongly that moment, knowing that what comes next will not be what I hoped for a year earlier when thinking of the last and probably most “epic” season of the hit show. However, I think that look was really well played, so I wanted to honour Emilia Clark, who I believe, played that role quite well. ;-) 2019. ✦ “Merlin” (on the left) this is my second try to draw his portrait. I watched the show whilst in self-isolation in April 2020 - the whole 5 seasons in just a few days. The first portrait I drew while seeing season 1 or 2. He looked like he’s Japanese there, but I did not care that much. 3 seasons later, I got quite attached to that really sweet character, so I was determined to do the job better. I still miss my Camelot friends :D _ p.s. btw, I watched “Merlin” after “GoT” and I was very amused to see half of the same cast in the older show, hihih. 2020. Personal study. An example of a way to do a portrait.</image:caption>
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      <image:title>Various illustrations - Wall drawings for Forza Consulting (Copy)</image:title>
      <image:caption>Wall drawings for Forza Consulting Decorating Forza Consulting Sofia conference room with doodles. They are based on favourite things of the whole team of the company. Commissioned work, 2019.</image:caption>
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      <image:title>Various illustrations - Artistic World Map (Copy)</image:title>
      <image:caption>Artistic World Map I loooove maps. So, once again I played with the traditional world map and made my not-so-topographic version because it is not realistic. However, I would call it artistic :D The clean vector version is now online on Shutterstock here. There are also these fun variations that you can purchase, just send me a message. 2020. All rights reserved.</image:caption>
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      <image:title>Various illustrations - Pure Faces (Copy)</image:title>
      <image:caption>Pure Faces These series of experiments are exploring the very limited facial area with straight lines. By using only line and colour I was looking for illustrating the shape of a very round face and see how the brain can finally mould the straight lines and colourful shades into a facial image. Personal work. 2019.</image:caption>
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      <image:title>Various illustrations - Portraits experiments (Copy)</image:title>
      <image:caption>Portraits experiments A very fun and quick experiment inspired by… Florentine Renaissance portraits. I was working on my annual art history paper that was a research about compositions and typology of the portrait in Florence in 15th Century. What I was impressed by is that most of the portraits in profile or 3/4 were illustrating the left side of the sitter. While asking myself why and reading some psychological researches, I was thinking that for me, as a right-handed person, is easier to draw left profiles and 3/4s. Proved after sketching these 3. Personal work. 2019.</image:caption>
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      <image:title>Various illustrations - Portraits with dots (Copy)</image:title>
      <image:caption>Portraits with dots These are series of experiments - creating portraits over photographs or paintings by playing with dots for shadows. Also, loved adding some colourful elements with these black-and-white-and-grey portraitures. From left to right: -portrait of Bulgarian singer Pasha Hristova (1946-1971) -double portrait of my grandparents when they were young. It is based on the only old, black and white photo I have of them - never really got the chance to get to know them. -experiment with classical nude posing of woman. -experiment with Rubens’ painting Hygieia. Personal work. 2019.</image:caption>
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      <image:title>Various illustrations - When nights are clear (Copy)</image:title>
      <image:caption>When nights are clear Series of minimal nights. In black, red and white. 2018.</image:caption>
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      <image:title>Various illustrations - Sophie's Choice: illustration (Copy)</image:title>
      <image:caption>Sophie's Choice: illustration 2018.</image:caption>
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      <image:title>Various illustrations - Abstract &amp; Minimal Faces (Copy)</image:title>
      <image:caption>Abstract &amp; Minimal Faces Series of experiments with simple lines, shapes and colours. These are faces or just expressions… Take it as you wish. 2018.</image:caption>
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      <image:title>Various illustrations - Animals in straight lines (Copy)</image:title>
      <image:caption>Animals in straight lines Here are few experiments with geometric art - several animals created in straight lines in contrast with very round environment.  2018.</image:caption>
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      <image:title>Various illustrations - [colours of northern lands] (Copy)</image:title>
      <image:caption>[colours of northern lands] I did a little experiment that will most probably turn into a series of creations… I had an amazing Northern trip starting from France, going through Canada and Iceland and ended in the Netherlands. I took tons of photos but I am now excited about the colours of those super different lands: I am picking a little colour palette of several favourite places and will turn them into a world of my creation. First on the left: This is my first: the place where Björk doesn’t live, an Icelandic church just next to Reykjavik. These are the colours of that moment and place and the new setting. The one day with blue sky in Iceland we had. The white night. The water everywhere. The crazy mountains that are no mountains but some weird fusion of ex-shore, rock and lava after-math. Yup. That’s what I came up with. In the middle: Here we go again with Iceland… It seems I am addicted, but I really wanted to make this one: it is a fusion of the colours of my favourite spot there so far (the Black beach) and one of the symbols of Reykjavik - Hallgrímskirkja (that very odd church that you can see from anywhere and helps you navigate without Google maps). I placed that expressionist architectural creature into another fictional world, taking only the colours from the photo from the Black beach. Why so? Maybe you didn’t know, but if you give a closer look to the church, you will see that the top is designed the same way as the famous tectonic square rocks that are on the Black beach. That is one of the connections… Another one is… my imagination. On the right: My second world was inspired by a little place called Collonges-la-Rouge, located in Corrèze, France. It is famous with the red stone that is used on everything: buildings, roads… I saw it in Spring, so in Spring is the very red Universe I created with its colours. Oh, yeah, in Spring we trust! It is such a wonderful reminder of a lovely walk and digital-nomadish working afternoon I had with my girls Kika, Anne &amp; Isabel. June+ 2018. digital work [license] all rights reserved.</image:caption>
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      <image:title>Various illustrations - [faces] (Copy)</image:title>
      <image:caption>[faces] Back in 2016-2017 I did a series of faces in this abstract, sometimes a bit creepy style. Here are two of them - She and Sofia as a person. The second is a personification of my home city - Sofia, the Bulgarian capital, done for Marija Biljan's project City as a person. 2016, 2017. ink on paper</image:caption>
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      <image:title>Various illustrations - [men can ... too] (Copy)</image:title>
      <image:caption>[men can ... too] Can you imagine someone telling you that you cannot do what you are born to do? Because you are a woman, a gay or something else that they do not understand and their cultural and political background claims as not acceptable. In 2018 I cannot. I am terrified by the thought of how many, many, many people in history were murdered, forced, being “healed”, imprisoned because of how they are born. I am even more terrified about the fact it is still happening in 2018, after all the history and knowledge we have… Why humans tend to be so stupid? I started a little series of posters like these 3 — beautiful, amazing, talented humans who gave their lives for what they love. They achieved greatness without fitting some stupid models — they are not white, they are intelligent and talented. I am sure they would also use irony and black humour to mock the ignorance of the crowds. Do you know the stories of Frida, Farrokh and Neerja? No? Read them, they are truly inspiring! Artworks were inspired by Polish artist Jan Bajtlik. 2017. digital work. [license] CC BY 4.0 [you are allowed to copy and redistribute the material in any medium or format this works, remix, transform, and build upon the material for any purpose, even commercially in case you always give attribution to me, the author]</image:caption>
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      <image:title>Various illustrations</image:title>
      <image:caption>Stacked colorful sheets labeled intro, method, glossary, tools, examples, with annotations indicating overlaps, instructions, sound and web links, and focus on public and popular publication.</image:caption>
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      <image:title>Various illustrations</image:title>
      <image:caption>Small booklets and pamphlets with blue covers and wave designs are scattered on a green cutting mat on a wooden table. Some are partially folded, and there is a black box and a white mug nearby.</image:caption>
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    <loc>https://alnik.me/cyens-art-residency-2024</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-12-17</lastmod>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>A board game titled 'Our Future Is Somewhere Here' with various illustrated spaces labeled 'community,' 'test,' 'family,' 'big tech,' 'government,' 'business,' 'media,' and 'world,' placed on a round table with additional cards labeled 'local community,' 'test,' 'family,' 'big tech,' 'government,' 'business,' and 'sustenance,' some with game pieces.</image:caption>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>Notebook page with flowchart sketches in purple and orange ink, titled 'Game Dev Version 1.0,' with handwritten notes on structure and decision points for game development.</image:caption>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>Five women are sitting around a table engaged in a board game or brainstorming activity, with sticky notes, papers, and game pieces on the table. The environment appears to be a modern office or meeting room.</image:caption>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>A woman giving a presentation to an audience in a conference room, with a slide titled 'Your Future Somewhere Here' projected behind her, and attendees seated at a table.</image:caption>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>Two people exchanging a printed card or document, with one person wearing a black sleeve and the other a pink sweater, in an indoor setting near a glass of water.</image:caption>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>Photo of a board game setup on a blue table with colored cards, game pieces, and instruction sheets. The central part includes a printed game board with the words "Your future is somewhere here" and various symbols, with some black and white game pieces placed on it.</image:caption>
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      <image:title>CYENS Art Residency 2024</image:title>
      <image:caption>Hand drawing a calendar with green lines on a white sheet, with handwritten notes like 'work', 'education', 'local community', 'friends', 'family', and 'our future is somewhere here'.</image:caption>
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